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Keeper of the Shepherd

by Hannah Frances

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1.
Bronwyn 04:46
the brilliance of the day waits for you to wake again, patient in the way i waited for you to love me again bronwyn, i lost the song gone when i sang bronwyn, i lost the way home where i knew the ground smokes as it burns to hell release me from this sweltered land i stand holding to the shepherd’s hand the man praised and punished me too bronwyn, i lost the song gone when i sang bronwyn, i lost the way home where i knew how to love you and be loved too it was an honor to have loved you, an honor to have been buried in the ruin and held til the end to have woken inside you, in the hollow hand aching and frought in the face of god i do not flinch at the blinding sight of light i press to the chest for a breath of life i kneel down and pray bronwyn, i heard the song in the vanishing day bronwyn, i laid you down at the mouth of the cave for no one is mine to hold and no one holds still and no one is left behind and no one remains but loss as the centerfold as the heart swells to loosen the ribs loosen the ribs loosen the ribs loosen the ribs
2.
look back to see how dark it gets pulled to the knees how hard it let me keep the shape of shame, keep naming every sin to keep loving what cannot love me back i cannot love you without me i cannot live without me i cannot be kept without me i cannot be without me i hold to my father's heart dying in my arms i died too, i died too i lost you, i lost me within you i cannot live without me i cannot be kept without me i cannot love you without me i cannot be without me i keep close to my spirit i keep learning to hear it without him, without you, within me without it, with no one i keep me i cannot be kept without me i cannot be here without me i cannot love you without me i cannot be without me to be the keeper to be the shepherd i am the keeper of the shepherd
3.
wake in the wound remembering where the endings fragment memory it takes absence to feel presence it takes time to become what you are breathing in water hearing the river whispering blind prayer, finding what was left behind woolgathering, unbinding what was never mine meet me where the heart beats where the shadows shade the heat love me wounded hold me where my edges soften give me time to free my lungs the ribs are loosening the life breathes in the life breathes in blind prayer, finding what was left behind woolgathering, unbinding what was never mine blind prayer, finding what was left behind woolgathering, unbinding what was never mine never mine
4.
Floodplain 04:21
the birch tree bark stripped bare, the bones and the bodies decay there naked as the moss grows over in time as the loss goes through the dam to loosen you in my heart through the vein the pain draws beneath the floodplain the riverbed is filled with husks of lead the dusk is turning to give and return, the measure of our love was yearning for more than we could carry more than we have buried in the floodplain i sang to you every day, i waited every night for you to come in the music of our memory each sound resounds too loudly to hear as the grief swells silent in time as the song resolves dissonant i know too much to love that way again know too well to lose my way again know too well to give away again know too well to know when it's not real love i want to be wanted don't want to be forgotten but want to forget i want to be shaped by the love i have not haunted by the lack i want to be released from the growing pain in the floodplain the floodplain how long have i kept you how long have i kept the light on how long have i been gone
5.
Husk 04:59
death sings river rising stone hollowed death is a husk drying out a field in heat sunblind i am opening trillium hums i am growing understories death sings leaves lilting the light death is a thread measuring time burning a candle guiding a life to be alive i am decaying within me without me i am an elegy memory echoing death is a husk holding the shape of my life
6.
god i mourn my body mourn the worn woman in me child seeking a shelter child keeping the open wound i want the one who's gone i want the one who's gone i want the one who's gone i want the one who's gone i remember every empty hand every echoing cave that never gave back i remember every hollow home grasping to the absence haunted by the lack grasping to the absence haunted by the vacant intimacies vacant intimacies vacant intimacies vacant intimacies to fear feeling the fracture, healing the compounded loss to fear leaving the rapture, hearing the silence song i want the one who's gone, i want the one who's gone i want the one who's gone, i want the one who's gone i remember every empty hand, every echoing cave that never gave back i remember every hollow home grasping to the absence, haunted by the lack grasping to the absence, haunted by the vacant intimacies
7.
i laid down as the field burned quarry of origin stories born before me i listen for voices vanishing life in petrified wood could i remember what i never knew life in a taproot buried underneath the haunted landscape echoing cave haunted landscape echoing cave birthed by returning to the ruins, the shelter gone unearthed by learning how to live through it shaped by the hollow black crows circling the deer in buckthorn decayed and torn the snake in the riverbed shedding form the bones grow through the haunted landscape echoing cave

about

Amidst peeling birch, sun dried and fragrant husks, a flooded riverbed, and a solemn, wet, echoing cave, Hannah Frances returns with a dense and daring new album, Keeper Of The Shepherd, that has been awarded Best New Music by Pitchfork. At times raucous and toiling, and at times hypnotizing in its softness, Keeper of The Shepherd is a careful excavation through the ruins of Frances’ past as she carves out what’s been lost and buried, praising the possibility of a life more whole. This album is a rebirth in every sense of the word, showcasing Frances’ virtuosic songwriting, arrangement, and musicality, while displaying a deep and churning emotional vulnerability.

In what feels like a grand act of generosity, Frances reveals some of her hardest truths confronted over the last several years, giving name to the disquiet that is often kept hidden – grief spurred by the death of her father, internalized patriarchal harm from years of religious trauma, and a collection of hollow, shorn relationships. “How can I be deeper within myself?” is the question Frances seems to return to across Keeper Of The Shepherd.

On “Floodplain”, over dancing acoustic guitar and shimmering violins Frances bellows “How long have I kept you? / How long have I kept the light on? How long have I been gone?” On “Vacant Intimacies” a tumbling and explosive anthem that highlights Hunter Diamond on saxophone, Frances pleads for a release from the patterns born from past wounds, as she urgently repeats “grasping to the absence/haunted by the lack”. “I just feel like I gave myself away and erased myself in love,” she says. Death too returns to Frances across Keeper, haunting and all encompassing. “Death is a husk/holding the shape of my life,” she sings on “Husk”, with such steady assuredness, and no trace of fear.

There is no singular way Frances grips us with her guitar, or her storytelling. Her voice is colossal in its strength, piercing, warm, and always poised to embrace, even in its quietest expression. The momentum is constantly moving and shifting across Keeper Of The Shepherd. By the end, we’re left nearly breathless, shaken by all the ways in which she’s managed to hold tight to a feeling, and fling one song into the next.

It’s hard work Frances has done here, unearthing the muddled mess of loss and dizzying displacement. In the end, the gift she gives herself is a gift we too might find in our listening: permission to release yourself from the burden of your past, the clinging weight of what no longer becomes you, and feel yourself open up, wide and gaping, with a song hurdling out of your throat. Keeper of the Shepherd is both a prayer and a shield. We are carefully freed from the ruin of what’s hurt us, and kept safe, here, in a shining landscape more vast than we ever could have imagined.


— Written by Tasha Viets-Vanlear

credits

released March 1, 2024

CREDITS

Recorded + Engineered by Kevin Copeland at Science as Magic Studios in Arlington, VT
Mixed by Logan Miley in Brooklyn, NY
Mastered by Amar Lal at Macro Studios in Oakland, CA

Hannah Frances: Music, Lyrics, Guitar, Vocals, Production
Kevin Copeland: Engineering, Production, Percussion, Bass, Pedal Steel, Piano
Logan Miley: Mixing
Amar Lal: Mastering
Hunter Diamond: Woodwinds
Alex Ellsworth: Cello
Matt Smalligan: Percussion on Bronwyn
Richie Straub: Percussion on Vacant Intimacies
Grant Hindsley: Album Cover Photograph
Sarah Reed: Album Design and Layout

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about

Hannah Frances Chicago, Illinois

hannahfrancesmusic.com

Hannah Frances (b. 1997) is a vocalist, guitarist, composer, poet, and movement artist melding avant-folk, progressive rock, and jazz.

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